.i-amphtml-loading-container.amp-hidden{display:none!important}amp-list[load-more] [load-more-button],amp-list[load-more] [load-more-end],amp-list[load-more] [load-more-failed],amp-list[load-more] [load-more-loading]{display:none}amp-story-page,amp-story[standalone]{display:block!important;height:100%!important;margin:0!important;padding:0!important;overflow:hidden!important;width:100%!important}amp-story[standalone]{background-color:#202125!important;position:relative!important}amp-story-page{background-color:#757575}amp-story .i-amphtml-loader{display:none!important}[amp-fx^=fly-in]{visibility:hidden}@media only screen and (max-width:979px){amp-addthis[data-widget-type=floating]{position:fixed!important;width:100%!important;height:50px;bottom:0}}@media only screen and (min-width:980px){amp-addthis[data-widget-type=floating]{display:none}} /*# sourceURL=/css/amp.css*/Art | Culture | The Independent
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Louvre visitors shred giant paper artwork in just one day

The work was created to mark the 30th anniversary of the Louvre’s glass pyramid

'Fake' Botticelli masterpiece turns out to be real

A century's worth of varnish and substantial areas of overpainting led to fears that it was a poor-quality copy, but analysis found a 'striking resemblance' to works produced from Botticelli's own workshop